Projects

3Nos3
3Nós3, Ensacamento, 1979, São Paulo. Image courtesy: Maria Ramiro, Hugo França and Galeria Jaqueline Martins.

PBW
Robert Smithson, Partially Buried Woodshed, Kent, Ohio, 1970

RW
Rachel Whiteread, House, London, 1993. Commissioned and produced by Artangel. Photograph by Stephen White.

MEC
Mary Ellen Carroll, Daringly Unbuilt, performance, 2017. The destruction of Prototype 180. Photo: Kenny Trice, courtesy the artist.

BC Liverpool
Banu Cennetoğlu + UNITED for Intercultural Action, The List, 2018. Liverpool, UK. Detail / destroyed. Photo: The White Pube.

James B
James Beckett, Palace Ruin, 2016. Amsterdam Zuid train station. Commissioned by TAAK.

Booklet written by Jes in collaboration with graphic designer Salome Schmuki for V&A Late, 2013




Archive of Destruction

Archive of Destruction is a research project I've been developing since 2011, looking at public art which has been destroyed by natural causes or by human action through fear, boredom, rage, entropy, greed and love.

I'm working with graphic designers Daly & Lyon and Flat Time House to create an ‘archive’ of sorts, made up of suspect categories, open-ended artworks and wrong-footed journeys. Spanning a hundred years and many continents, the artworks tell cumulative stories of vulnerability, desperation, playfulness and bombast. Together, they forge an argument that a public artwork is never finished; it is in a continual state of flux according to the political, environmental, social context in which it is located. We'll launch the project in 2021 with a website, commissioned texts, a series of online events and a publication.

I've organised, and taken part in, a number of events and symposia on the subject over the last ten years including ones with the V&A, Flat Time House, TAAK (with James Beckett in Amsterdam) and University of Essex.

The project began with a conference I organised entitled 'Destroyed public art work: a critical reflection' in collaboration with Firstsite and the curating courses at the University of Essex and the RCA in 2011. Speakers: Claire Doherty, Situations; Ivan Morison, artist; Fiontan Moran, Tate; Jordan Baseman, artist, Joe Kerr, RCA. A diverse range of issues were discussed such as what constitutes the 'beginning' of a public art work; destruction as the antithesis of the process of making; the danger of the fear of destruction (amongst curators and commissioners); how a work enters the popular imagination through the act of destruction; scurrilous acts of potential destruction and, finally, the fruitful power of failure.

The impetus for this event was the destruction by fire of a public sculpture by Heather & Ivan Morison, a life size model of a fictitious dinosaur which was due to come to Colchester in October 2010 after an eight week stint in Portsmouth. As Associate Curator at Firstsite, I commissioned this essay by Roger Luckhurst, Professor of Modern and Contemporary Literature at Birkbeck College, University of London, on the work and its destruction.

I took part in a V&A Late, the focus of which was 'destruction' (Sept 2013) and worked with graphic designer Salome Schmuki to produce a booklet detailing a selection of public art projects from over the past 100 years which involve an element of destruction that is poignant, engaging or politically transformative.

I also took part in a panel discussion with artists Simon and Tom Bloor in July 2014 at South London Gallery called Vandalism and Art. Simon and Tom Bloor spoke about ideas developed during their residency at Flat Time House where they researched the intentional destruction of public art and the construction of degenerate street furniture. Investigating public space and the paradox of unintentional creation, the discussion considered how artists might appropriate acts of vandalism and how those acts might be seen as an extreme abstraction or performance. Other panel participants included art historian Richard Clay and artist Nils Norman. The discussion was chaired by Jo Melvin, art historian, curator and lecturer.

In September 2016 I gave a talk on destruction as part of James Beckett's project Palace Ruin. James created a reconstruction of Amsterdam's Paleis door Volksvlijt, which burnt down in 1929, and situated it outside Amsterdam Zuid station. He, along with arts organisation TAAK, commissioned writers, artists, curators and musicians to perform, talk and read from the structure throughout September and October 2016.

I was Curator in Residence at Flat Time House, London, in 2019, researching the Flat Time House archive, looking into the work of John Latham, as well as reading material commissioned and gathered by FTH.

Please get in touch if you would like to contribute to the discussion or know of any destroyed public art works which tell interesting, strange or undocumented stories.

Jes Fernie

Mobile: 07960687912


Site by Counterwork