Archive of Destruction
Archive of Destruction is a research project I've been developing since 2011, looking at public art which has been destroyed by natural causes or by human action through fear, boredom, decay and love.
I've organised, and taken part in, a number of events and symposia on the subject over the last seven years including ones with the V&A, Flat Time House, TAAK (with James Beckett in Amsterdam) and University of Essex.
The project began with a conference entitled 'Destroyed public art work: a critical reflection' organised by Jes in collaboration with firstsite and the curating courses at the University of Essex and the RCA in February 2011 (podcasts here)
. Speakers: Claire Doherty, Situations; Ivan Morison, artist; Fiontan Moran, Tate; Jordan Baseman, artist, Joe Kerr, RCA. A diverse range of issues were discussed such as what constitutes the 'beginning' of a public art work; destruction as the antithesis of the process of making; the danger of the fear of destruction (amongst curators and commissioners); how a work enters the popular imagination through the act of destruction; scurrilous acts of potential destruction and, finally, the fruitful power of failure.
The impetus for this event was the destruction by fire of a public sculpture by Heather & Ivan Morison, a life size model of a fictitious dinosaur which was due to come to Colchester in October 2010 after an eight week stint in Portsmouth. As Associate Curator at firstsite, I commissioned this
essay by Roger Luckhurst, Professor of Modern and Contemporary Literature at Birkbeck College, University of London, on the work and its destruction.
I took part in a V&A Late, the focus of which was 'destruction' (Sept 2013) and worked with graphic designer Salome Schmuki to produce a booklet
detailing a selection of public art projects from over the past 100 years which involve an element of destruction that is poignant, engaging or politically transformative. These booklets were shown in the National Art Library at the V&A alongside video projects of Kick over the Statues by the Red Skins and Jean Tinguely's Homage to New York.
I also took part in a panel discussion with artists Simon and Tom Bloor on 22 July 2014 at South London Gallery called Vandalism and Art. Simon and Tom Bloor spoke about ideas developed during their residency at Flat Time House where they researched the intentional destruction of public art and the construction of degenerate street furniture. Investigating public space and the paradox of unintentional creation, the discussion considered how artists might appropriate acts of vandalism and how those acts might be seen as an extreme abstraction or performance. Other panel participants included art historian Richard Clay and artist Nils Norman. The discussion was chaired by Jo Melvin, art historian, curator and lecturer.
In September 2016 I gave a talk on destruction as part of James Beckett's project Palace Ruin
. James created a reconstruction of Amsterdam's Paleis door Volksvlijt, which burnt down in 1929, and situated it outside Amsterdam Zuid station. He, along with arts organisation TAAK, commissioned writers, artists, curators and musicians to perform, talk and read from the structure throughout September and October 2016.
I was Curator in Residence at Flat Time House, London, in Jan / Feb 2019, researching the Flat Time House archive, looking into the work of John Latham, as well as reading material commissioned and gathered by FTH (specifically the NOIT journal and Ivor Davies documents).
Please get in touch if you would like to contribute to the discussion or know of any destroyed public art works which raise pertinent issues.